Chattanooga Festival of
Black Arts & Ideas
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Chattanooga Festival of Black Arts & Ideas
Debuts with a Week of Performances, Art Exhibitions,
Food, Crafts, Vendors and Discussions
With a commitment to celebrating the extraordinary contributions of artists of African descent, the inaugural Chattanooga Festival of Black Arts & Ideas will premiere with a slate of work showcasing the disciplines of music, dance, theatre, visual arts, film and literature during a week-long celebration June 14-19 at the Chattanooga Theatre Centre, Coolidge Park, and other locations around the community.
The multidisciplinary festival aims to spotlight emerging and established black artists and build greater community awareness of the diversity of black arts within Chattanooga and Hamilton County, says festival founder and CEO Ricardo Morris. The event will also provide opportunities for discussions on topics that connect black arts to other areas of the life of the community.
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“The first and most important outcome I want the festival to achieve is to awaken the greater Chattanooga community to the broad spectrum of exemplary work by Black artists in our own back yard,” Mr. Morris says. “This celebration will allow other ethnicities to better understand and embrace the concept that while these works of art may be created Black people and reflective of the Black condition, they more importantly speak to the human condition in ways that only the arts can do.”
Ricardo "Ric" Morris
Highlights of the festival line-up include:
Chattanooga playwright Charles Patterson will formally kick off the festival on June 14th with a staged reading of his original work, “Don’t Suffer in Silence” at the Chattanooga Theatre Centre followed by a panel discussion with Mr. Patterson, the cast and other theatre professionals.
Chattanooga professional actress, writer, director, filmmaker, casting director and owner of Live to Inspire Productions Shelia Wofford will present a screening Friday, June 15th of, “Michael Valentine,” the winner of the 2018 Inspired Faith Film Festival Best Short Film Award, followed by a panel discussion about the
Local drummer Kofi Mawuko and his World Music Band will formally kick off the third day of the festival with a West African drumming circle on the grounds of the Chattanooga Theatre Centre, followed by performances throughout the day of jazz, rap, hip-hop, soul, gospel, blues and classical music as well as spoken word. Some of the other artists and groups scheduled to perform include Dexter Bell & Friends, Seaux Chill, Garrell Woods with Young Gifted & Black and others. Visual artist, educator and arts advocate Charlie Newton will be in residence at AVA: Association for Visual Arts the entire month of June and we invite all festival goers to visit his exhibit during there time in the Cooliege Park. In addition, emerging and seasoned visual artists will exhibit and sell their work at the theatre as well.
CFBAI will assemble a gathering of area gospel choirs and praise teams for a special tribute to all fathers, “Black Dads Matter” Gospel Supper and Fellowship. Prior to the performances on the Centre Lawn at the Chattanooga Theatre Centre, there will be a panel discussion about the influence of the church in the black community and how best to utilize the strength of the faith-based community.
JUNTEENTH - June 19, 1865
The date of the festival coincides with the internationally recognized observance of Juneteenth, a U.S. holiday that commemorates the June 19, 1865, announcement of the abolition of slavery in Texas and, more widely, the emancipation of African slaves throughout the former Confederacy.
The festival will close on the steps of City Hall, where there will be a dramatic reading by local educator LaFrederick Thirkill of the Emancipation Proclamation, accompanied by performances of traditional Negro Spirituals and the singing of the Negro National Anthem as arranged by internationally recognized Chattanooga composer and conductor Dr. Roland M. Carter.
Mr. Morris adds that long-term outcomes of the festival will include the establishment of a network of support and an avenue for collaboration between black visual and performing artists and arts organizations. The event will also have an educational component, providing
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“With this inaugural presentation of the festival, we are striving to gain a reputation for providing audiences with artistic experiences that are extraordinary and enriching,”
Mr. Morris says.